Abstract

A long enduring aspect of human society throughout history is the existence of some form of religious belief. This can widely range from abstract spirituality to polytheistic pantheons, to rigid monotheism. But, despite how varied the specific figures and narratives within each belief system are, they still manage to garner a similar set of emotional responses among their believers: awe, respect, and perhaps fear. Religious narratives, folklore, and mythology are all centered around trying to make sense of the world around us, the unknown, often done through fantastical and extravagant means that can involve horrific monsters or all-powerful divine beings meant to inspire fear as well as awe. The belief in a higher power, or even in the supernatural, creates an element of helplessness alongside hope. Religious beliefs, whether long dead or still prevalent today, are incredibly complex both in the narratives as well as the emotions that are fostered within them, and it is difficult for one to parse which feelings are most instrumental to them as a person. When researching and consuming these narratives, can the grotesque and awe-inspiring parts within them visually exist simultaneously? This body of work engages with how mythological and biblical narratives can foster feelings of conflict, inspiring reactions of fear as well as wonder through the formal execution of uncomfortable and scary imagery. How might the artist engage in the often-theatrical elements of religious and mythological storytelling in a disconcerting and terrifying way while still making it visually appealing?

Keywords

art, mythology, theology, religion, exhibition

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