Abstract
Our research proposes to bring together two approaches to qualitative movement analysis used in dance, Laban Movement Analysis (LMA), and Functional Analysis of the Dancing Body [L’Analyse Fonctionnelle du Corps dans le Mouvement Dansé] (AFCMD) in order to better represent the interplay between the functional and expressive dimensions of movement. The methodology designed for this research combines a phenomenological perspective and explicitation interviews with experts followed by an “activity analysis.” Our efforts led to two types of results: an understanding of the processes underlying the observation-analysis activity of the observers, and a proposed crosscutting conceptual framework integrating the main precepts the two approaches considered. The “Activity Analysis” epistemology allowed us to identify a distinctive configuration of activities specific to each of the approaches. In addition, the new framework graphs the identified observables in three overlapping spheres – Ground, Space and Dynamics – placing at the heart of the schema the integration of the dimensions of Function and Expression.
Keywords: Movement Observation-Analysis (MOA), Laban Movement Analysis (LMA), Functional Analysis of the Dancing Body (AFCMD), Activity Analysis
How to Cite:
Harbonnier, N., Dussault, G. & Ferri, C., (2021) “Movement Observation-Analysis (MOA): How a new conceptual framework supports a better understanding of the coherence of the functional and expressive dimensions of movement”, Journal of Movement Arts Literacy 7(1).
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